randian | 燃点

Tang Contemporary Art is proud to announce the opening of Zhao Zhao’s solo exhibition “In Extremis” on July 14, 2018，in the first space of Beijing. This exhibition is curated by Cui Cancan. >> Read more

Two years later, ART021 had outgrown its home on the Bund and moved...to the Shanghai Exhibition Centre (ha!)...Chris Moore reviews ART021 2016. >> Read more

Zian Chen interviews the curators of the 11th Shanghai Biennial. >> Read more

Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more

It is thanks to the unique sense of anachronism embedded in his practice that Zhou Yunxia’s works produced during the past thirty years could present a relatively complete picture of the evolution of art history along the way. >> Read more

Time_Art_Impact Dialogue #9     Un-forgetting History The Liminal Spaces of (Dis)Appearance in Kate McMillan’s Paradise Falls     Kate McMillan in dialogue with Wu Guanjun 15th January 2015 19:00 At MINSHENG ART MUSEUM, Shanghai China, Bldg.F/570 West Huaihai Rd. 200050   MOMENTUM Berlin and Minsheng Art Museum Shanghai are proud to present the collaborative […] >> Read more

This exhibition brings with it a positive kind of closure: in a nebulous stage stuck between experience and expression, the repudiation of images is without a doubt an instance of art reinventing its own wonderfully clever tactics of stalling... >> Read more

Randian looks ahead to Art Basel Miami Beach 2014.  
 
 
 
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“Cycling through the years, Hsiao-Ying has always been the mainstream’s satirical shadow.” In Taiwan, Ying Wei-Min （a.k.a. Hsiao Ying) has been a popular figure since he founded the Clippers Band in 1995. >> Read more

Starting from their basic research on the ‘Little Fat Flesh’, Wu and Thorsdottir’s ‘Arctic Fox Arc’ is now transiting to a larger field of substance, beings and their temperature environments. >> Read more